Jacques, speaking for his dad:
I’ve always said that if I wasn’t born in Louisiana, I would
have never accomplished what I have in the art world, because my career started
out by trying to recapture old Louisiana, and to show how different our state
is from the rest of the country.
(pictured, Broken Limb...Girard Oak, 1975 by George Rodrigue, 24x30, oil on canvas)
But as I got into it, I realized that every part of America
is unique, and that many artists over the past 200 years captured the parts of the
country that moved them most.
When I returned from art school in California in 1967, I saw
Louisiana in a completely different way.
I tried to create a style that would express the Louisiana of the past. As I got into it, I realized that this
was just the beginning of a series that would lead into the present day, with subject
matter including customs, traditions, people, and the landscape.
(pictured, George Rodrigue's studio, Lafayette, Louisiana, 1973; click photo to enlarge-)
After 25 years focused on this premise, I painted an old French-Cajun tale of the loup-garou, which evolved over another 25 years into what the Blue Dog is today. As with my Cajun series, I had no idea it would last all of this time --- in my mind, on my canvas, or for the public.
After 25 years focused on this premise, I painted an old French-Cajun tale of the loup-garou, which evolved over another 25 years into what the Blue Dog is today. As with my Cajun series, I had no idea it would last all of this time --- in my mind, on my canvas, or for the public.
(pictured, Loup-garou, 1991 by George Rodrigue, 72x48, oil on canvas; click photo to enlarge-)
Meanwhile, Roger Ogden and a few friends had a vision to exhibit
southern art and preserve it for future generations. This building has truly become a warehouse of southern
treasures that probably would never have been appreciated to this extent were
it not for their efforts.
Both Roger and I started in Lafayette. I remember hearing years ago that he
was putting together a collection of local artists and southern artists, with
the idea of opening a museum one day. From the beginning, I hoped to be a part of this story and
legacy in some way.
Thank you to everyone associated with the Ogden Museum of Southern Art for
presenting me with the Opus Award.
I am truly touched by this recognition.
Mallory, speaking for Wendy:
As George’s wife, I live a blessed
life immersed in the arts. But
it’s more than that. George has a
unique way of seeing the world, both literally, as with his breakdown of oak trees and the interesting shapes formed between their branches, and abstractly,
as in the life’s lessons gained from an illness, or the possibilities within
space, dreams, and the origin of man.
He explained once:
“Every great artist has taken a common thing and made people see it in a different way.”
He also said:
“The closer you are to who you really are, is the best thing; yet most people can’t get past 5 p.m.”
(pictured, Soul Mates, 1997 by George Rodrigue, silkscreen edition 50)
In 2003 the Metropolitan Museum of
Art held an exhibition of Thomas Struth photographs. The life-size images showed museum-goers viewing great works
of art. At George’s suggestion, we
watched from around a corner as visitors approached a photograph and stared not
at the image of people looking at a Degas street scene, but rather at the Degas
street scene itself --- despite the fact that the actual painting hung on the
wall on another floor of this same museum.
“They can’t see!”
...said
George. And through his
observation, as I have many times in the past twenty-three years, I saw more
clearly.
(pictured, sharing art at the Alexandria Museum of Art, surrounded by Copley to Warhol, a traveling exhibition from the New Orleans Museum of Art; click photo to enlarge-)
Following the exhibition, we sat
on a bench in the Metropolitan’s Great Hall. A video portrait by Struth illuminated a large wall, perhaps
20 or 30 feet high, between the columns.
The giant head of a woman blinked her eyes or twitched her nose, while otherwise
remaining still.
After a long period of silence, I
voiced both our thoughts:
“The Blue Dog.”
As we left the museum and walked,
on that beautiful fall day exactly ten years ago, into New York’s Central Park,
George replied,
“I’ll never see it, Wendy…
….but you will.”
André, speaking for both his dad and Wendy:
Following that day long ago at the
Metropolitan Museum of Art, we’ve known many wonderful recognitions and exhibitions
for George’s art. As he predicted,
however, the Metropolitan has not come calling!
Yet, to our surprise, hanging in
the greatest museum in the world no longer feels important. Rather, we’ve found greater personal
rewards in the classroom, sharing our story and George’s vision with students.
It’s the kids who bridge the art.
(pictured, Edwins Elementary School, Fort Walton Beach, Florida; click photo to enlarge-)
(pictured, Edwins Elementary School, Fort Walton Beach, Florida; click photo to enlarge-)
We’ve learned that to be studied by a child is the best way to connect with the future and is more important
than hanging on the walls with the great masters.
We’ve also learned that the
greatest honor is to be recognized by our peers, especially fellow Louisiana
artists and art lovers. Similar to
seeking the respect of one’s parents, all George ever really wanted was to be
appreciated at home.
We are both
humbled and honored by George receiving the Opus Award, and we apologize, from the
depths of our southern souls, that we cannot be there to thank you in person.
(pictured, Aioli Dinner, 1971 by George Rodrigue, 32x46, oil on canvas; unveiled with Roger Ogden at the Ogden Museum of Southern Art, 2012; click photo to enlarge-)
In 1974, during an interview with
the Lafayette Daily Advertiser, George
Rodrigue said these words:
“At this time, artists should try to produce something from themselves, or from their area --- that’s where art is headed today. All America really has left in art is what one feels.”
***
Wendy

So many voices on the first reading, fewer on the next, and only one on the last. This is the way the Rodrigue art comes into focus. Now I'm not saying WHICH Rodrigue art! Congrats on the honor. I'm counting on MOMA: they think, and then they know.
ReplyDeleteGeorge,
ReplyDeleteLike it or not, you're good! Congratulations!
Even an old friend can see something new, and you continue to surprise, delight, and beyond create! Educate! Who knows what comes next?
Met meh-Moma MOMA
Love to you and Wendy Doug M
Bravo George & Wendy!!!
ReplyDeleteCongratulations to you for inspiring, enlightening and giving in so many ways to the youthful minds of New Orleans.
ReplyDeleteYour art is a constant source of pleasure and joy. Thank you.
Love and prayers to the Rodrigue Family.
Carlota Finnegan November 1, 2013
Thank you everyone for these great comments. I hope MOMA's reading! HA!
ReplyDeletecongratulations!!! Mr. George and Thank You for inspiring and helping to educate a new generation. You are amazing. Our love and prayers are with you. Jed and Theresa
ReplyDeleteI gently wept as I watched the video. Love, Penny
ReplyDelete